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In the mid-1800s, Esther Howland saw love in the air and cashed in on it, launching the mass production of valentine cards. In the process, the mother of the American valentine helped usher in a $20 billion holiday.

The U.S. Greeting Card Association estimates that approximately 190 million Valentine’s Day cards are sent each year in the U.S., with Hallmark alone making 1,400 different valentines.

But in the 1800s, valentines were a far different affair of the heart. Back then they were usually a cheaply made token of love, a few lines of rhyme on a slip of paper, often selected and printed and sold by shopkeepers. That changed thanks to Esther Howland, a 20-year-old graduate of Mount Holyoke College living in Worcester, Massachusetts, who ushered in what is now a $20 billion holiday. Known as the “Mother of the American Valentine,” Howland is credited with the commercial mass production of valentines in the mid-1800s.

Esther Howland’s richly designed and lace-covered valentine cards were an instant hit.

Howland’s father owned a large bookstore in Worcester that stocked richly designed and lace-covered cards from England. Overseas, the holiday was much more popular and commercialized. Howland copied the British card style. Her fancy handmade cards of paper, lace and ribbons would forever change valentines.

A cloth and lace valentine card made by Esther Howland, ca. 1870s. Typescript inside card: ‘You say my heart, my too fond heart, Is cold, my dear, to you; Ah! canst thou such a thought impart To one who loves so true?’

Mount Holyoke College Archives and Special Collections, South Hadley, Massachusetts

In 1849, she created well-received prototypes. Setting up headquarters in her family’s Worcester home, her New England Valentine Co. sold cards for as little as 15 cents and for as much as 75 cents, an enormous amount at a time when the average American worker made less than a dollar a day. Yet love knows no bounds, or budget, it seems. Late in life, the Boston Globe placed her company’s annual sales between $50,000 and $75,000 a year, an impressive sum at the time.

This mid-19th century valentine by Esther Howland is a collage of colored papers, lace paper, and chromolithographed die-cut scraps. It is 3 15/16 inches in width and 6 1/8 inches in length.

Courtesy Metropolitan Museum of Art

While she successfully commercialized love, Howland apparently never found love herself, dying in 1904 unmarried at her brother’s home. Newspapers across the country reported on her passing, labeling her, variously, as “the inventor of valentines” and, rather harshly, as a “New England spinster.”

Howland’s designs were innovative. She introduced layers of lace, wafers of colored paper placed beneath lace, three dimensional accordion effects, and a mechanical bouquet in which pulling a string moves flowers aside to reveal printed verses underneath. She insisted that verses and mottos not appear on the outer surface of a card.

Courtesy American Antiquarian Society

And yet, like true love, Howland’s legacy has endured. So-called Howland valentines are treasured by collectors. A Christie’s auction sold six for between $94 to $489. What’s more, a selection of her work resides alongside some of the greatest artwork in the world at the Metropolitan Museum of Art in New York

For more information on valentines, visit the American Antiquarian Society which has a collection of over 3,000 valentines ranging in date from the 1830’s to 1900.

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