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#CoquillaNut #SnuffBox #PortraitInANutshell #DavidBadger #HistoricalArt #BrazilianHistory #AfricanHistory #EuropeanHistory #AntiqueCollector #ArtHistory #CulturalHeritage #CollectorsCorner #HistoricalCollectibles #ArtisticExpression #AntiqueBooks

David Badger is a distinguished collector of coquilla nut snuff boxes and bottles, a passion that has culminated in the publication of a new book, Portraits in a Nutshell: The Art and History of Coquilla Nut Snuff Boxes and Bottles, edited by Donna S. Sanzone. The book highlights Badger’s extensive collection and delves into the historical and cultural significance of these unique artifacts. We had the opportunity to speak with Badger to learn more about his collection and the research behind the book.

Background and Early Life

David Badger is a retired businessman with a long career at Mars, Inc. He has lived in various international cities, including London, Vienna, Hong Kong, and Tokyo, and is an active member of St. Alban’s Anglican Episcopal Church in Tokyo. His early education included studying piano at the Philadelphia Conservatory of Music and attending Phillips Exeter Academy, Princeton University, and the Wharton School at the University of Pennsylvania.

The Coquilla Nut

The coquilla nut is the fruit of the Bahia piassave palm tree, native to the coastal regions of eastern Brazil. These small, hard nuts measure about 3-4 inches in length and were historically used for various purposes, including rosary beads, tobacco pipe bowls, and toys. In the early 19th century, they were crafted into utilitarian objects like nutmeg graters, egg cups, and jewelry. The nuts were also a valuable source of oil for precision timekeeping instruments, though overharvesting led to their depletion by the mid-19th century.

The Art of Coquilla Nut Carving

The coquilla nut snuff boxes and bottles in Badger’s collection are intricately carved, reflecting a wide range of artistic styles and cultural influences. These artifacts often depict people, animals, and events, serving as a medium for expressing religious, spiritual, or political beliefs. Some carvings use visual abstraction or caricature to comment on social norms or political issues, showcasing the artists’ roles as both traditionalists and innovators.

The Origins of Badger’s Collection

Badger’s fascination with coquilla nut artifacts began over 50 years ago when he first encountered these small, intricately carved objects. Drawn to their smooth texture, intricate designs, and compact size, he began collecting them during his travels in England, France, and the United States. His collection now includes over 700 pieces, each with its own unique story and historical significance.

Highlights from the Collection

Among the many pieces in Badger’s collection, several stand out for their craftsmanship and historical context. These include a tiny elephant carved from a coquilla nut, a depiction of Napoleon alongside the imperial eagle, a monkey wearing a hat, and a double-headed carving of George and Martha Washington. Other notable pieces include a representation of a Brazilian nun and freedom fighter, as well as a snuff bottle adorned with hunting weapons and Brazilian wildlife.

Related Collecting Interests

In addition to coquilla nut artifacts, Badger has a long-standing interest in collecting objects made from wood, particularly those with historical significance. His collection includes 18th-century American furniture, wooden snuff boxes shaped like shoes, and silver pieces crafted by Hester Bateman. These items complement his passion for coquilla nut carvings and reflect his appreciation for craftsmanship and history.

The Creation of Portraits in a Nutshell

The idea for Portraits in a Nutshell emerged from Badger’s desire to explore the origins and cultural significance of his coquilla nut collection. Initially, he believed the artifacts were primarily crafted in England, France, and the Netherlands, but further research revealed a more complex history tied to Brazil, Portugal, and Africa. Collaborating with Donna S. Sanzone and other experts, Badger sought to uncover the stories behind these carvings and share them with a broader audience.

Insights from the Research

The research for Portraits in a Nutshell revealed the interconnected history of Brazil, Europe, and Africa, particularly the transatlantic trade of goods and people. The coquilla nut artifacts provide a window into the lives of those who were sent to Brazil to work on sugar plantations and in mining industries, as well as those involved in the whaling and naval industries. These carvings offer a unique perspective on the cultural exchanges and historical events of the 18th and 19th centuries.

How to Learn More

For those interested in exploring the world of coquilla nut snuff boxes and bottles, Portraits in a Nutshell is available for pre-order from the Brandeis University Press website, online retailers, and local bookstores. The book is set to be published on June 27, 2025, and offers a comprehensive look at Badger’s collection and the history behind these fascinating artifacts.

Conclusion

David Badger’s collection of coquilla nut snuff boxes and bottles is a testament to the rich cultural and historical significance of these artifacts. Through Portraits in a Nutshell, he shares the stories behind these carvings, shedding light on the interconnected histories of Brazil, Europe, and Africa. This book is a valuable resource for anyone interested in art, history, and the cultural exchanges that have shaped our world.

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